Saturday, 21 June 2014

Initial Google Sketchup Modelling for the Bridge

From now until the completion of the experiment, I will be heavily documenting what I aim to achieve and actually finish on a daily basis. For today, it is the experimentation of the Follow Me tool on my plan/section integration.


The images below exhibit preliminary modelling and attempts at erecting the bridge (the plan shown in 'Inspiration for Plan' blog post). Essentially, trial and error was conducted with the Follow Me tool to see which result would yield the most optimal end product.

Plan and Section of the modified Riverside Museum.









First attempt at using the Follow Me tool on the plan/section: 








Second, more applicable and viable attempt at the follow me tool, creating arches (like the opera house) on half the plan/section. I am planning to mesh curvilinear and rectilinear components together by having one half predominantly organic and the other half rectilinear. 








Wednesday, 21 May 2014

Inspiration for Plan

Zaha Hadid's Riverside Museum:

PLAN


 SECTION


Modified version of the Riverside Museum, intertwining the plan numerous times in order to create a spanning structure (to act as a bridge).


Jorn Utzon's Sydney Opera House

The Sydney Opera House inspired the implementation of arches into the university bridge, reinforcing the theme of a curvaceous, smooth-flowing structure. 


Tuesday, 20 May 2014

Mashup of Engineering Articles

Bridges have long captivated public imagination, their bold and dramatic contours boldly defying gravity as they span harbours, valleys, rivers – even oceans...[they] represent a substantial communal investment [and] understandably bring a sense of pride for the towns, cities, or nations they help connect and grow. The balance, though, between artistic design and sound structural engineering is delicate, for nothing quite defines a skyline like these massive projects. [Integrated within this equilibrium are the aspects of efficiency, with significant consideration towards performance and cost].

[Aesthetic design cannot be permitted to outweigh structural stability such that modern bridges are in danger of failure. For example,] over ten percent of the bridges that we cross on our outing are deemed structurally deficient...The American Society of Civil Engineers gave U.S. roads a grade of D-minus. Research says that one-third of those roads are substandard, and a quarter of our bridges are falling apart...Of the 607,380 bridges included in the [latest U.S. civil structures report], 20,808 are judged to be fracture critical, meaning that they have no structural redundancy. If just one component on a fracture-critical bridge fails, it puts the bridge at risk of immediate collapse. [The occurrence of natural disasters may further trigger critical failure].

[As technology continues to advance,] it is possible to simulate real-life disasters on the 3D model and visualise how a particular structure is responding to the disaster effects. Such simulation enables greater learning of the environment to create a suitable maintenance plan, or in the event of an actual disaster, it allows emergency responders to be more prepared and be able to deal rapidly and effectively with emergency situations.

How much will it take to bring these iffy bridges up to snuff? A mere $3.6 trillion by the end of the year 2020 ought to do it; [but is this worth the burdensome economic constraint? Structural engineers must conduct research and calculations with precision and caution in order to reduce the possibility of failure but still provide aesthetic pleasure to viewers.]


References

Gianluca Lange, "Making cities more resilient in the face of natural disasters," The Star, http://www.thestar.com.my/Tech/Tech-Opinion/2013/10/16/Making-Cities-More-Resilient-in-the-face-of-Natural-Disasters.aspx/ (accessed 20 May 2014).

Richard Read, "US Bridges need $3 Trillion in Repairs, Study Finds," The Christian Science Monitor, http://www.csmonitor.com/Business/In-Gear/2013/0919/US-bridges-need-3-trillion-in-repairs-study-finds (accessed 20 May 2014).

Jon Walton, "Bridging the Gap: Aesthetics and Infrastructure," Digital Construction, http://www.constructiondigital.com/architectural_design/bridging-the-gap-aesthetics-and-infrastructure (accessed 20 May 2014).

THEORY OF STRUCTURAL ANALYSIS AND DESIGN

This mashup of 3 articles reinforces the over-arching theory of structural analysis and design of a structure. The theory implies that any engineering structure must satisfy the functional and structural aspects of design, possess a sufficient degree of performance, a reasonable economic budget and should be aesthetically attractive. The purpose of structural analysis and design is to enable the architect or engineer to design the most optimal structure with regards to strength, stiffness and stability without taxing the aesthetic and economic factors.

Essentially, the theory revolves around these indicators of efficiency:
- Performance/Safety
- Utility
- Economic
- Time

Experimenting with Moving Elements in Lumion

Below are two snapshots of a bus and a man travelling on my Lumion landscape. 

The first image shows their initial positions with respect to the mountainous environment.
The second image exhibits the final positions of the Lumion 'objects' after travelling in a straight line.





Sunday, 18 May 2014

Preliminary Lumion Landscapes for Experiment 3

For Experiment 3, I have been inspired to create two landscapes on Lumion 3 with relation to my home country, Indonesia.

Therefore, my first draft landscape resembles the Gunung Rinjani (shown below).





A preliminary, rough attempt at emulating this environment is exhibited in the screenshots below:




My second draft Lumion landscape attempts to replicate the Gunung Semeru, illustrated below.



A draft Lumion landscape of Gunung Semeru are portrayed below.





Wednesday, 7 May 2014

Final Submission of the Experiment 2 Monument

ELECTROLIQUID AGGREGATION QUOTATION:

"Not only does creativity bless materials and structures with emotion and expression, it also evokes power into architecture".


Below are five Fraps screenshots of my Google Sketchup Monument within a Lumion landscape:

1. The void space in the rectilinear component (shown in image below) triggers an emotional response in the viewer as it is an empty area in an otherwise full monument, leading us to question whether problems have occurred structurally. However, it is situated there as a lower meeting point for clients and guests.
The use of a dark texture on the walls of the void space highlights strength as black is commonly seen as a 'heavy' colour (as opposed to white, which is seen as 'light').

Therefore, this void space has been strategically placed in order to invoke a certain expression/question from viewers whilst also providing an aura of strength.


2. The slanted curvilinear element has been coated with a 'wave'-like texture and resemble ripples of water, which symbolise unison, relaxation and conjures a soothing aura. In the shot below, a miniature beach is situated at walking distance from the monument and this proximity emphasises the theme of ripples and hence, emotional freedom and relaxation.
Ripples are not only soothing however, they can also build up into colossal surges of great power. This notion is also evoked through the relationship between the curvilinear element, the textures on it and the beach setting.


3. From the shot below, the slanted surfboard-like object protrudes through the two cantilevered beams of the curvilinear component, providing a vital support for an otherwise shaky construction. This element justifies the electroliquid aggregation concept of creativity (of the object itself and its placement within the monument) whilst also conveying stability and power (through the reaction forces it provides on the beams).


4. 


5.



Inspiration for Textile Designs


Coop Himmelblau's Martin Luther Church Hainburg



Coop Himmelblau's Dalian International Conference Centre



Coop Himmelblau's JVC New Urban Entertainment Centre



Antoni Gaudi's Casa Batllo


Antoni Gaudi's Mosaics